| The Tourist Board
of Korčula founded the Festival in 1997 with the aim to recognize the rich heritage of
sword dancing on the island, to present the dancing in its original ambience in villages
and in the town, to create a pleasant atmosphere during the Festival for both people of
Korčula and their guests, to bring together the societies from the whole island of
Korčula, from other parts of Croatia and from other areas of the world to develop
friendly relationships and mutual cooperation, and to support further advancement of sword
dance societies with a favourable financial situation. Therefore the Festival was
established in the town and on the island, to further cultivate the tradition of sword
dancing that has existed here for more than 400 years. Almost every town and village on
the island has its own dance society. The town of Korčula has two societies which
"strike" Moreška, while a Kumpanjija exists in Blato, Pupnat, Čara and
Smokvica, and the Moštra in Žrnovo. The texts on the following
page speak to the phenomenon of Moreska in the town and of Kumpanjia societies on the
island who are keeping their traditions. Information is also drawn from foundational
research works about these groups, published by Dr. Ivan Ivančan "Folk Customs of
the Korčula Kumpanjija" and Dr. Vinko Foretic; "The Historical Survey of the
Korčula Moreška".
Moreška
"Moreška", the name of the sword battle dance in the town of
Korcula, is a term that likely derives from the Italian word "moresca". This
name and type of a mock fighting dance connected with the Moors was widespread in much of
Europe. The origin is believed to be Spain and is reminiscent of the expulsion of the
Moors from that country. The dance was performed in several areas of the Mediterranean and
depicted the battle between Christians and non-Christians, the Spanish against the Moors,
or the battle of the Osmanli against the Moors, as is depicted in the Korčula Moreška.
Until the Second World War Moreška was performed (it was
"struck") once a year on July 29, the day of St. Theodore, the protector of
Korčula. It was then a special event prepared over many weeks and the performance itself
lasted for two hours. After the Second World War the dancing with its dramatic roles was
shortened to thirty minutes due to the frequency of performances.
In the past, Moreška was accompanied only by a drum
("tamburin"). At the beginning of the twentieth century band music was added.
Currently the preferred musical accompaniment is a full brass band with music especially
composed for Moreška by Krsto Odak in 1937. Today's Moreška from Korčula is
definitely one of the most attractive sword dances you can see in Europe. It is performed
at least once a week in Korčula due to the great interest from tourists.
The war dance is connected with a short drama. The play begins with the
scene in which the son of the Arab King Otmanović, Moro abducts the white king Osman's
fiancee Bula. In a short dialogue Bula rejects Moro's love, and then the white king with
his army comes to the scene in order to liberate his fiancee. Both armies are ready for
combat and Moro and the white king decide to fight for the Bula.
The war dance consists of an introductory part - "sfida" and
seven figures ("kolaps"). Moro, performing the "sfida" challenges the
white king Osman waving his swords. Osman accepts the challenge, and other soldiers
gradually engage themselves in the battle. After each sword-clashing figure there is a
pause in the battle while the dancers ("moreškanti") walk in a circular
formation. The Bula tries to reconcile the two kings, but a more fierce battle follows.
Finally, the war dance ends with a figure in which black soldiers fall exhausted in front
of the white ones. Moro recognizes his defeat and gives to the white king both his arms
and Osman's fiancee. The battle symbolises a universal message for victory of good over
evil, and for the victory of eternal love.
Island's of Korčula sword dance societies
The island of Korčula happens to have preserved a number of traditions,
especially connected with the performance of a chain-dance with swords. Kumpanjija means
both the dancing and the society of men in a complex of customs and ritual. Each sword
dance society in the villages of the island has in its title the name
"Kumpanjija".
The men's society is not only a heritage evolving from a European
medieval tradition but also from ceremonies of the Dinaric Mountain areas on the mainland,
along with sword fighting skills seen in Korcula town's Moreška. Kumpanjija, as a society
of men, also protected their village from pirate attacks thus certain military elements
are preserved in their organization. Therefore the Kumpanjija on the island of Korčula is
much richer in its sword figures than most European sword chain-dances.
One can best experience the custom of Kumpanjija in its original
ambience. It consists of the sword dance, electing the king, the ceremony of animal (ox)
sacrifice, and also customs connected with winter carnival ceremonies, such as a dance
ball following the Kumpanjija sword dancing. The women who participated in the ball were
mostly the relatives of the sword dancers ("kompanjoli"). In Blato this couple
dance is called "Blatski tanac", in Pupnat and Žrnovo "Stari bal",
and in Čara and Smokvica, "tanac".
The contemporary way of life and other social and cultural influences
contribute to the changing roles of Kumpanjija and Moreska. Their performances are more
frequent due to tourism, and the ceremonies of animal sacrifices have been abandoned and
reduced to symbolism. However, there is an overall tendency among the
"kompanjoli" to want to preserve their traditions that emphasise their island's
identity and inherited values.
KUD "MOREŠKA" Korčula
With great enthusiasm by the town's youthful dancers the Moreška dance
was revived after the liberation of Korcula in 1944, toward the end of World War II. All
activity related to Moreška was unified into a K.U.D. (Cultural Artistic Society)
Moreška at the Worker's Home. The progress of Moreška as a dance performance along with
other activities of this KUD were influenced by the fast development of tourism to the
island, thus arising the need for frequent performances and tours. Moreška is presented
at least 50 times during the year in Korčula, other places in Croatia and abroad, so that
the KUD Moreška continues to develop and grow in numbers.
Its most festive appearance is on the Day of the Town of Korčula and its Feast of the
protector of the town, St. Theodore. Its most festive appearance is, on the Day of the
Town of Korčula and its Feast of the protector of the town, St. Theodore
The KUD contains a Moreška dance group, a music band and a folk dance group.
KUMPANJIJA Blato
"KUMPANJIJA"
Society - Blato was founded in 1927 with a focus of preserving and cultivating the
"ples od boja" [the battle dance] and the rich heritage of Blato. Within its
program for tourists, the Society performs its Kumpanjija, "Blatski tanac" - a
couple dance from the 17th century, a set of carnival dances, the pastoral dance
"kotiljun" and the dance for "four", the "kvadrilja".
Over several centuries Kumpanjija was an organized village army which
helped defend Kor_ula and Blato. At the beginning of the 19th century, by the inclusion of
the island of Kor_ula within the Austrian Empire, Kumpanjija lost its military-defensive
function and became a preserved tradition. The annual appearance of the V.U.
"Kumpanjija" is on April 28, the day of St. Vincenca, the celestial patroness of
Blato, and the annual feast day for the community of Blato.
KUMPANJIJA Smokvica
Kumpanjija had a rich tradition in Smokvica, performing during carnival
festivities and on the eve of the Feast of the Assumption (August 14) on the church
square. These customs were renewed in 1954. In 1978 with the organization of K.U.D.
[Cultural Artistic Society] "Ante Ćefera" an independent Kumpanjija society
continues to be active to the present time.
In the past the length of Kumpanjija dancing lasted about three hours,
while today, in its celebratory full form with all 18 figures the dancing lasts for one
and a half hours.
KUMPANJIJA Pupnat
Although
Kumpanjija from Pupnat is one of the oldest on the island, it was performed with some
breaks in time. Before the Second World War it was last organized in 1939, and after the
war in 1949, and in 1996 it was revived again with great enthusiasm.
Kumpanjija was performed during carnival events and during the religious
holiday of Our Lady of Rosary (the first Sunday in October). After the 1996 revival the
Kumpanjija event was moved to August 5, for the Feast of Our Lady of the Snow, the
patroness of the village.
KUMPANJIJA Čara
The oldest written documents, from the end of the 19th century, emphasise the
need to preserve Kumpanjija as a permanent value for all later generations. According to
the tradition from the 19th century, Kumpanjija was performed five or six times a year -
Candlemas on February 2, several times during carnival days, St. Peter's Day on June 29,
and for the day of St. Jacob on July 25, the protector of Čara.
In the 20th century, Kumpanjija was infrequently performed, but after
the Second World War, the Kumpanjija was revived in 1953, and continues to the present.
Croatian musical society "SV. CECILIJA" Korčula
HGD "SV. CECILIJA" from Korčula founded in 1883, followed the
tradition of Croatian singing societies on the Dalmatian coast in the nineteenth century.
This society was revived in 1991, and together with the Korčula Moreška it cultivates
Dalmatian harmony-singing and traditional dances from the island of Korčula. Its most
festive appearance is on July 29, on the Day of the Town of Korčula and its Feast of the
protector of the town, St. Theodore. In addition the Society performs at least 60 times
during the year in Korčula, for various occasions in Croatia, and abroad.
MOŠTRA Žrnovo - Postrana
KPD "BRATSKA SLOGA"
The oldest written document on "kumpanjija" is the Statute
dated 1620 which bears the title "The Law of Kumpanjija in the Village of
Žrnovo". Kumpanjija was performed during carnival days along with customs of singing
carols, depicting the defence from an enemy, a chain sword dance, sacrificing an ox, and
the "stari bal" couple dancing, followed by a collective village feast. The
title "moštra" was accepted from an Italian term which means a military review.
Moštra was performed before the Second World War in 1937, and then revived in 1966 with
an entire set of customs that included the sacrifice of an ox.
In recent years, the Moštra, is performed in an abbreviated version
with chain sword dance figures, clashing sword figures, followed by an "old
ball" with couple dancing. The dances are performed on the feast of St. Rocco, the
protector of Postrana, one of Žrnovo's suburbs.
FESTIVAL 1997
It took place from August 3 to 23 with the participation of the
societies from the island of Korčula. That was the beginning and the test of the idea,
choreography and possibilities.
FESTIVAL 1998
All societies from the island, Volktanzgruppe Frommern, Balingenm
Germany, The Society of the Crossbow Men from Rab, Malta (cancelled)
FESTIVAL 1999
All societies from the island Volktanzgruppe Frommern, Balingenm
Germany, The Society of the Crossbow Men from Rab, BETI- JAI- ALAI Basurto, Bilbao,
Spain, Galicia, Bal do Sabre, Bagnasco, Italy |